Why I never make the same brow twice
Two people can bring the same reference photo and leave with different brows. Here is what changes between faces, and why I do not use a template brow.
Read more ↗BROW JOURNAL / TOPICS
Design notes
Start with the question on your mind.
What wide-set eyes change about the brow front
When the eyes sit far apart, the brow front is often pushed inward to close the gap. Here is how I read the inner edge instead, and what to check first.
Read more ↗Brow fronts for close-set eyes: what I look at
For close-set eyes the first idea is usually to widen the gap by removing hair. Here is what I look at in the brow front before anything is taken away.
Read more ↗Upturned eyes and the direction of the brow tail
If your outer eye corners sit higher than the inner ones, the brow tail can follow the lift or fight it. How I read eye tilt and plan the tail direction.
Read more ↗Downturned eyes: why I lift the tail only a little
A strongly lifted brow tail above downturned eyes often looks drawn on. I explain why I raise the tail only slightly, and how a small change is tested first.
Read more ↗A high forehead and where the arch sits
A high forehead changes how much visual weight the brow carries and where an arch looks settled. Here is what I test for arch position and how to ask about it.
Read more ↗Low forehead, less space: how brow height is read
When the hairline sits close to the brows there is little room above them. Here is what I observe on a low forehead and why I do not thin the brow for space.
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